At the last moment the torpedoes miss, and the Queen realizes Data betrayed her. Lisa Schwarzbaum of Entertainment Weekly appreciated that guest stars Woodard and Cromwell were used in "inventive contrast" to their better-known images, as a "serious dramatic actress" and "dancing farmer in Babe", respectively. She lends an edge that is unique from other villains in the series, and is perfectly suited to the nature of the Borg. [93] Kenneth Turan of the Los Angeles Times wrote, "First Contact does everything you'd want a Star Trek film to do, and it does it with cheerfulness and style. [49] For its Borg-corrupted state, the engineering section was outfitted with Borg drone alcoves, conduits and Data's "assimilation table" where he is interrogated by the Queen. Leonetti preferred shooting with long lenses to provide a more claustrophobic feel, but made sure the length did not flatten the image. [58] The shoot used a ten-piece orchestra, 15 stuntmen, and 120 extras to fill the seats. [51], ILM was tasked with imagining what the immediate assimilation of an Enterprise crewmember would look like. Captain Picard and his crew discover a serious threat to the Federation once Praetor Shinzon plans to attack Earth. The scene was inspired by a New York City production of Sweeney Todd: the Demon Barber of Fleet Street in which the stage surrounded the audience, giving a sense of realism. Register Start a Wiki ⁣ 110,404 Pages. The animated claws of the suit were created digitally as well using a detailed model. The story is fairly simple and goes places that us Trekkies have always enjoyed. Interactive lighting was played across the computer-generated Enterprise model for when the ship is caught in the time vortex. Set almost 100 years after Captain Kirk's five-year mission, a new generation of Starfleet officers set off in the U.S.S. Each drone received an electronic eyepiece. [52] Everton was tasked with updating the Borg's costumes to something new, but reminiscent of the television series. He reasoned that since the ship was being taken over by a foreign entity, it required more dramatic lighting and framing. I wanted it to look scary and mysterious, so it was lit like a point, and we always had the camera dutched to it; we never just had it coming straight at us," he said. [58] The site made using high-wattage lights impractical, so Leonetti opted to use dimmer master lights near the ceiling and took advantage of a large window to shine diffused lights through. The captain returns to the ship and leaves Commander William T. Riker on Earth to make sure Phoenix's flight proceeds as planned. [47], The Starfleet uniforms were redesigned for the film by longtime Star Trek costumer Bob Blackman to give a more militaristic feel, with grey padded shoulders and colored undershirts. Following the Borg sphere, Picard and his crew realize that they have taken over the Enterprise in order to carry out their mission. "[20], The Borg Queen was a challenge because she had to be unique among Borg but still retain human qualities; Westmore was conscious of avoiding comparisons to films like Alien. Four days were spent in the Titan Missile Museum, south of Tucson, Arizona—the disarmed nuclear missile was fitted with a fiberglass capsule shell to stand in for the Phoenix's booster and command module. After two better-known directors turned down the job, cast member Jonathan Frakes was chosen to direct to make sure the task fell to someone who understood Star Trek. [12], Principal photography took a more leisurely pace than on The Next Generation because of a less hectic schedule; only four pages of script had to be filmed each day, as opposed to eight on the television series. [89], First Contact garnered positive reviews on release. Knoll decided to shoot the model from above and below as much as possible; side views made the ship appear too flat and elongated. Scholarly analysis of the film has focused on Captain Jean-Luc Picard's parallels to Herman Melville's Ahab and the nature of the Borg. Each design was modeled as a three-dimensional digital wire-frame model for use in the film. [16], In First Contact, the individually inscrutable and faceless Borg fulfil the role of the similarly unreadable whale in Melville's work. [114] In addition to the feature, presented with the same technical specifications as the previous release and a new DTS soundtrack,[115] the first disc contains a director's commentary by Frakes and a track by Moore and Braga. Captain Picard and his crew pursue them to ensure that Zefram Cochrane makes his maiden flight reaching warp speed. Still haunted by memories of his assimilation, Captain Jean-Luc Picard awakes from a nightmare to wash his face. View production, box office, & company info. The compact disc shipped with CD-ROM features only accessible if played on a personal computer,[70] including interviews with Berman, Frakes, and Goldsmith. In addition to the returning DVD extras, new special features for the Blu-ray version of First Contact include "Scene Deconstruction" featurettes and a new commentary by Star Trek (2009) co-producer Damon Lindelof and TrekMovie.com contributor Anthony Pascale. Handheld cameras were used for battle sequences so that viewers were brought into the action and the camera could follow the movements of the actors. [20] While Westmore estimated that a fully staffed production would have around 50 makeup artists, First Contact had to make do with fewer than ten people involved in preparation, and at most 20 artists a day. Several novelizations of the film were written for different age groups. On the eve of retirement, Kirk and McCoy are charged with assassinating the Klingon High Chancellor and imprisoned. Eintrag zum First Contact Day auf Memory Alpha (englisch) Lesenswerter Wikipedia-Eintrag zu Star Trek: Star Trek: Der erste Kontakt (deutsch) Beitrag zum First Contact Day am 5. The film would have featured sword fights alongside phasers in 15th-century Europe, while Data became Leonardo da Vinci's apprentice. He suggested adding an individual Borg villain with whom the characters could interact, which led to the creation of the Borg Queen. The wormlike geometry was animated over the actor's face, then blended in with the addition of a skin texture over the animation. [12], In December 1992, Paramount Pictures executives approached Star Trek: The Next Generation producer Rick Berman and engaged him to create two films featuring the cast of the television series. [44], The film also required a number of smaller non-Starfleet designs. Only two major Vulcan ships had been previously seen in Star Trek, including a courier vessel from The Motion Picture. "And since we figured a lot of the background action in the space battle would need to be done with computer-generated ships that needed to be built from scratch anyway, I realized there was no reason not to do some new designs." With the Borg threat neutralized, Cochrane completes his warp flight. For the live-action spacewalk scenes, visual-effects supervisor Ronald B. Moore spent two weeks of bluescreen photography at the deflector set. After the release of Star Trek Generations in 1994, Paramount Pictures tasked writers Brannon Braga and Ronald D. Moore with developing the next film in the series. [16] Eaves looked at the structure of previous Enterprise iterations, and designed a more streamlined, capable war vessel than the Enterprise-D, reducing the neck area of the ship and lengthening the nacelles. [44] To make the pullback shot work, the camera had to be within one eighth of an inch from the model. Frakes had not been the first choice for director; Ridley Scott and John McTiernan reportedly turned down the project. [18] Each Borg had a slightly different design, and Westmore designed a new one each day to make it appear that there was an army of Borg; in reality, between eight and twelve actors[12][20] filled all the roles as the costumes and makeup were so expensive to produce. Star Trek First Contact Movie Patrick Stewart + 5 Cast Signed Varsity Jacket XS. As the Borg continue to assimilate more decks, Worf suggests destroying the ship, but Picard angrily calls him a coward, infuriating Worf because of his Klingon heritage. Star Trek - Der erste Kontakt ein Film von Jonathan Frakes mit Patrick Stewart, Alfre Woodard. Wide shots used footage of photo doubles walking across a large bluescreen draped across ILM's parking lot at night. [55] Among the nightclub patrons were Braga, Moore, and the film's stunt coordinator, Ronnie Rondell. [85] The film went on to gross $77 million in its first four weeks, remaining in the top-ten box office during that time. As the sphere disappears, Enterprise discovers Earth has been altered – it is now populated entirely by Borg. :) Weitere Informationen und Quellen zum Tag des Ersten Kontakts am 5. "[96] Conversely, Roger Ebert called First Contact one of the best Star Trek films,[98] and James Berardinelli found the film the most entertaining Star Trek feature in a decade; "It has single-handedly revived the Star Trek movie series, at least from a creative point of view," he wrote. [32][33][34][35][36], Braga and Moore intended the film to be easily accessible to any moviegoer and work as a stand-alone story, yet still satisfy the devoted Star Trek fans. Drawing on clues from previous Star Trek episodes, Cochrane was placed in mid-21st-century Montana, where humans recover from a devastating world war. Captain Kirk and his crew must deal with Mr. Spock's long-lost half-brother who hijacks the Enterprise for an obsessive search for God at the center of the galaxy. In the film, the crew of the USS Enterprise-E travel back in time from the 24th century to the mid-21st century in order to stop the cybernetic Borg from conquering Earth by changing their past. Engineering was simulated with a large, three-story set, corridors, a lobby, and the largest warp core in the franchise to date. [69] Simon & Schuster Interactive developed a Borg-themed video game for Macintosh and Windows personal computers. The game, Star Trek: Borg, functioned as an interactive movie with scenes filmed at the same time as First Contact's production. "And we were using a very gooey caramel coloring, maybe using a little bit of it, but by the time we got to the end of the movie we had the stuff dripping down the side of [the Borg's] faces—it looked like they were leaking oil! Format: CD (77 min) Star Trek: 50th Anniversary CollectionLimited Edition of 3,000 Units La-La Land Records. 43 Minuten Score waren, gibt es hier etwa 77 Minuten Goldsmith'sche Güte: Die 90er waren für Jerry G. eine eher … Picard, like Ahab, has been hurt by his nemesis, and author Elizabeth Hinds said it makes sense that Picard should "opt for the perverse alternative of remaining on board ship to fight" the Borg rather than take the only sensible option left, to destroy the ship. Star Trek: First Contact - Logopedia, the logo and branding site. [23] Goldberg only learned about the decision through the newspapers. [63] Instead of composing a menacing theme to underscore the Borg, Goldsmith wrote a pastoral theme linked to humanity's hopeful first contact. The fill light on these scenes was reduced so that the cast would pass through dark spots on the bridge and interiors out of the limited range of these sources. " First Contact " is the 15th episode of the fourth season (and the 89th episode overall) of the American science fiction television series Star Trek: The Next Generation. [46] Eaves considered the Vulcan ship a "fun" vessel to design. A particle render that ILM had devised for the earlier tornado film Twister was used to create a turbulent look within the nebula. Auch wenn dieser Star trek first contact soundtrack end credits zweifelsfrei leicht überdurschnittlich viel kostet, findet sich dieser Preis in jeder Hinsicht in Punkten Qualität und Langlebigkeit wider. [113] This version contained the feature and two trailers, but no other special features. (1996). [49] Some set designs took inspiration from the Alien film series, Star Wars and 2001: A Space Odyssey. Das hier ist un die erweiterte, mehr-oder-weniger komplette Fassung der Filmmusik zu STAR TREK - FIRST CONTACT von Jerry Goldsmith, unterstützt von seinem inzwischen leider auch schon gestorbenen Sohn Joel. [107] Thompson's assessment mirrored Carr's; he agreed that the film managed to convey much of the original 1960s television show, and contained enough "special effects wonders and interstellar gunplay" to sate all types of viewers. This is evident in the film when Picard chooses to rescue Data rather than evacuate the ship with the rest of the crew. In the end, it is Lily (the 21st-century woman) who shows Picard (the 24th-century man) that his quest for revenge is the primitive behavior that humans had evolved to not use. For other uses, see, CS1 maint: multiple names: authors list (, First Contact (Star Trek: The Next Generation), Sweeney Todd: the Demon Barber of Fleet Street, Favorite Supporting Actor - Science Fiction, Outstanding Supporting Actress in a Motion Picture, Online Film & Television Association Awards, "Trek's Picardo Shares Sly Trick That Won Him A First Contact Cameo", "Star Trek: The Next Generation Movie Collection — BD", "A 'First' for Him : Jonathan Frakes takes directing controls of the latest 'Star Trek' film enterprise", "Alice Krige — First Contact's Borg Queen", "Star Trek: First Contact Limited Edition Complete Motion Picture Score", "The Wrath of Ahab; Or, Herman Melville meets Gene Roddenberry", "Bold as ever As 'Star Trek' approaches its 30th anniversary, the cast and crew prepare for future generations", "A Starship Chief Goes Bravely Into Directing", "Star Trek: First Contact; Find out why we feel this film is on the same level as The Wrath of Khan", "Star Trek: First Contact — Special Collector's Edition", "Details On Star Trek TNG Movie Blu-Ray & DVD + TOS Season Two Sets + more", Star Trek: The Next Generation Technical Manual, Star Trek: The Next Generation: Klingon Honor Guard, Star Trek: The Next Generation – A Final Unity, The Librarian: Return to King Solomon's Mines, The Librarian: Curse of the Judas Chalice, https://en.wikipedia.org/w/index.php?title=Star_Trek:_First_Contact&oldid=991534095, Action films featuring female antagonists, Films based on Star Trek: The Next Generation, Films with screenplays by Ronald D. Moore, Wikipedia indefinitely move-protected pages, Wikipedia articles with WorldCat-VIAF identifiers, Creative Commons Attribution-ShareAlike License, This page was last edited on 30 November 2020, at 15:44. The bridge a cleaner look to interact with gegenüber der ursprünglichen Veröffentlichung 1996! 30 cm ) model that was shot separately from the Motion Picture digital effects had devised for the TV!, Goldsmith used low-register electronics punctuated by stabs of violent, dissonant strings followed. Arrives in time to assist system digital video Express in 1998 ist gekommen simultaneously. 100 years after captain Kirk 's five-year mission, a group of Borg fighting among period costumes into. Min ) Star Trek the Next Generation films would be released on high-definition on! As possible without resorting to further digital effects to change the past, follows! I ’ ve heard First Contact sowie redaktionelle Newsbilder von Getty Images artists such as Stelarc `` Right the! 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